Story of
Americans
with Native
and black
ancestry
stirs deep
emotions
By Kara
Briggs
http://www.indiancountrytoday.com/living/66570997.html\
Condensed by
Native
Village
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Comanche family, early 1900s
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Foxx family (Mashpee), 2008 |
WASHINGTON – According to some reports, up to 60% of African Americans may share Native American ancestry. The Smithsonian’s National Museum of the American Indian is now exploring their identity with “IndiVisible: African-Native American Lives in the Americas.” IndiVisible is an exhibition of 20 banners bearing photographs and text.
“The
exhibition
touches a
deep
interest in
African
American
communities
because of
their links
with Native
America,”
said guest
curator
Thunder
Williams who
has Carib
Indian,
African and
European
ancestry.
“People in
the U.S.
tend to be
black or
white,
linear
thinkers,. We
have been
indoctrinated
by a
race-centered
system where
vestiges of
the
‘one-drop’
of black
blood rule
persist.
When I
acknowledge
my Carib
Indian and
European
ancestors,
it is not a
disclaimer
of my
African
heritage. I
am all of
them, my
blood is
indivisible.”
IndiVisible
begins in
the1600s when
intermarriage
and slavery
brought
Native
peoples and
African
slaves
together. It
then covers
history up
through
today.
“It’s a very
provocative
topic,” said
curator
Gabrielle
Tayac,
Piscataway.
“The huge
back story
is that it
all has to
do with
interactions
brought
about by the
European,
with
practices of
slavery on
the
continent.”
Many panels
touch core
issues for
people of
racially
mixed
heritage.
Tayac said the
discussion
is
emotionally
charged.
“In many
Native
communities
on the
Atlantic
seaboard,
African
American
mixing has
had
consequences
historically.
It may have
them be
erroneously
viewed as
less Indian,
and it plays
out in
acknowledgment
and
enrollment.
In African
American
communities,
there is a
controversy
of whether
people
should
identify as
mixed race.”
Ideas
about
mixed-heritage
people grew
from
colonial
policies
which viewed
black and
Native
people as
dangerous.
“In colonial
Mexico (the
word) lobo,
the wolf, is
the blend of
Indian and
black,” Tayac said.
“The
combination
was thought
to be
dangerous,
that you
could have
two
colonized
and enslaved
people, if
they come
together it
could be
dangerous.
How much did
we absorb
those
ideas?”
IndiVisible
is so emotional
that even staff
from the NMAI
and
the National
Museum of
African
American
History and
Culture
sometimes
felt uneasy.
“Though
sometimes
there were
things that
were
uncomfortable,
we decided
to keep it
in the
exhibition,”
Tayac said.
“There are
difficult
stories; the
Cherokee
Freedmen on
one side,
the Buffalo
Soldiers on
the other.
What’s been
interesting
is people
keep coming
to us
saying, ‘I
have a story
to tell you
about
this.’”
Another
guest
curator,
Penny
Gamble-Williams,
is a
Wampanoag spiritual
leader. She
knows people
who denied
their Indian
heritage or wouldn't
talk about
it. Some
embraced
their Native
roots later
in life.
Some tear-up
when they
ask about the
Blackfeet or
Cherokee
tribes
because
family
elders said
they had
blood ties.
Tayac says
“IndiVisible”
doesn’t try
to provide
all the
answers. It
often turns
the question
back to
viewer
IndiVisible
will be on
exhibit
until May
31, 2010 at
the National
Museum of
the American
Indian in
Washington,
D.C.
Museums and
schools
across the
U.S. are
scheduling the
NMAI's traveling
version of
"IndiVisible.
"
IndiVisible
Online:
http://www.nmai.si.edu/exhibitions/indivisible/
Tour
Schedule:
http://www.nmai.si.edu/exhibitions/indivisible/tour.html

Photos: http://www.nmai.si.edu/exhibitions/indivisible/


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